Heirlooms — Past work that has found a home






A tufa cast sterling silver Naja pendant, stamped with a set of our one-of-a-kind steel stamps and set with a piece of high-grade Kingman turquoise. The bright blue stone sits in a serrated bezel atop a stamped triangular plate that crowns the crescent, while the heavy Naja arms carry stamped borders and dot accents, all softened by a dark, oxidized patina that gives the casting its old, unearthed character. Strung on a brown leather cord finished with sterling beads that slide to adjust the length.
↳ View the PieceA pair of open-hoop earrings, each featuring five Carico Lake turquoise stones set in serrated bezels. The crescent of stones are capped on each end by a stamped concho. The hoop is hand-stamped with a collection of our one-of-a-kind steel stamps and finished with a darkened, oxidized patina. Hung from sterling French hook ear wires.
↳ View the PieceA hand-wrought sterling silver stacking cuff set with a rectangular Royston turquoise stone, its pale mint-green face touched with soft matrix, placed in a smooth straight bezel. The narrow cuff face is divided into three distinct panels: the stone at center flanked on each side by a raised, deeply stamped traditional oval detail and framed by clusters of three raised dots tapering toward each terminal. Finished with a dark oxidized patina that pools into the stamp work and gives the piece a collected, old-pawn feel.
↳ View the PieceA wide tufa cast sterling silver cuff centered on a rectangular Royston turquoise stone, its soft green face threaded with rust-brown matrix, set in a smooth bezel. A hand-stamped Thunderbird flanks the stone on either side, each set into a triangular panel framed by stamped borders, with subtle raised bump-out details and a heavily textured surface that carries the rugged character of the tufa casting. Finished with a darkened, oxidized patina that settles into the recesses and brings out the depth of the stamp work.
↳ View the PieceA hand-wrought sterling silver bolo tie centered on a round Royston turquoise stone, its soft green face touched with golden-brown matrix, set in a smooth straight bezel. The rectangular slide plate is worked with subtle repoussé, the surface gently lifted and shaped, dressed with traditional stamp details radiating from the stone and framed by a fine hatched edge border running the full perimeter of the plate. Strung on a flat back braided leather cord with two sterling end pieces.
↳ View the PieceA heavy hand-wrought sterling silver ring centered on an oval Royston turquoise stone, its blend of sea-green and golden-brown matrix set in a smooth straight bezel. The wide shank is deeply hand-stamped down each shoulder, with banded borders and traditional motifs flanking the setting, and finished with a dark, aged patina that pools into the stamp work and gives the ring an old-pawn weight and feel.
↳ View the Piece
The Truth About the Squash Blossom Necklace
The most iconic necklace of the Southwest hides a surprising origin — the "blossom" is really a pomegranate, a symbol traced to Granada and 1492.
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The Legend of the Bolo Tie
As the legend goes, a windblown hat in 1940s Arizona led silversmith Victor Cedarstaff to the first bolo tie — and to the name that stuck. The story behind a Southwest staple.
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